Creative Commons - ReadWriteWeb http://www.readwriteweb.com/feeds/tag/Creative Commons en Copyright 2009 Richard MacManus readwriteweb@gmail.com Mon, 23 Nov 2009 21:12:49 -0800 http://www.sixapart.com/movabletype/?v=4.23-en http://blogs.law.harvard.edu/tech/rss Defective By Design: Kindle Discourages Readers kindle_freesoftware_aug09b.jpgThe Free Software Foundation's Defective By Design campaign just added the Amazon Kindle to its list of DRM-related offenders. The organization started a petition against Amazon for restricting readers' access to their own books and effectively discouraging reading options. Complaints include Amazon's switch to publisher-controlled text-to-speech disabling and the removal of several pre-purchased works from the device. Most recently, 17-year-old Justin Gawronski filed suit against the company for removing George Orwell's 1984 from his Kindle and rendering his electronic notes worthless.

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]]> Defective By Design's campaign aims to shame manufacturers and companies that purposely cripple products with built-in DRM restrictions. These restrictions are generally meant to limit the user's access to their own media in order to increase profit margins. While Amazon's locked down business tactic has unfortunately become standard practice amongst many eReader manufacturers, critics disagree with the tactic in the belief that educational material and personal property should remain accessible across platforms and services.

DRM and Defective By Design

kindle_freesoftware_aug09a.jpg Remote content deletion and the ability for publishers to disable media player functionality is seen as a violation of the rights of consumers. One past campaign criticizing Amazon's tactics encouraged Defective By Design supporters to tag the Kindle and Kindle eBooks with "kindle swindle" on the Amazon site. Today's petition builds on that campaign with big name signatories such as Creative Commons, esteemed free culture advocate Lawrence Lessig, author Lewis Hyde and Harvard Law professor John Palfrey.

The petition states, "We believe in a way of life based on the free exchange of ideas, in which books have and will continue to play a central role. Devices like Amazon's are trying to determine how people will interact with books, but Amazon's use of DRM to control and monitor users and their books constitutes a clear threat to the free exchange of ideas."

To add your name to the petition visit the Defective By Design site.

Turf War and the Future of E-Readers

kindle_freesoftware_aug09c.jpgThe Kindle Store currently offers more than 300,000 books in addition to access to top magazines, newspapers and blogs. Nevertheless, the company is already facing stiff competition, albeit largely from other DRM-based device manufacturers. From a consumer standpoint, Amazon's Kindle is a beautiful and easy-to-use device, but its content distribution design purposely burdens the consumer while appearing to cater to sellers and publishers. However, 2 weeks ago News Corp media mogul Rupert Murdoch expressed unhappiness with his current Kindle revenue split and Amazon's publishing policies. While Murdoch denied rumors that News Corp. would build its own e-reader, he did complain that Amazon would not share its Wall Street Journal subscriber info with the publisher. As suggested by ReadWriteWeb's Frederic Lardinois, hardware design and agreements will shape the future of the eReader. But more importantly, today's events set a precedent for how we interact with our own culture and culture-making.

The current nature of the eReader market has many of us convinced that books and ideas lose their value simply because they've been shared, and the truth cannot be further from that. It will be interesting to see if Defective By Design can gain the momentum to keep digital books from following the familiar path of content lock down.

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http://www.readwriteweb.com/archives/defective_by_design_kindle_discourages_readers.php http://www.readwriteweb.com/archives/defective_by_design_kindle_discourages_readers.php eBooks Tue, 18 Aug 2009 18:26:08 -0800 Dana Oshiro
Google Books Offers Creative Commons Licensing creativecommons_google_sug09a.jpgEarlier this morning Google Books announced a program where rights owners would be given the option to modify their copyright licenses and specify them as Creative Commons (CC) works. The initiative allows writers, artists and publishers to mark their books with one of 6 CC version 3 licenses, a public domain license or the CC "no rights reserved" license.

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]]> creativecommons_google_aug09.jpgIn the last few months Creative Commons has celebrated some benchmark programs with large-scale publishers including perhaps the most notable event, Wikipedia's community-wide adoption of the Creative Commons Attribution-Share Alike license.

The addition of Google Books as a partner is a significant one as the search giant's involvement promises to increase the public's ability to find works to share and remix. For now, CC licensed books are distinguishable by a Creative Commons logo to the left of the preview pane. In the future, licensing is likely to become an advanced search feature within the site. When that happens, remixing material will be so much easier to find.

For example, Google already prints full versions of out-of-copyright books for its Library Project. Once these books are tagged with the public domain license, thousands of out-of-copyright and sometimes out-of-print books will become easily searchable. We may see a renewed interest in our favorite classics, or see them altered in new and unusual ways. By showcasing CC licensed material, Google Books may prompt other companies like Flickr to further prioritize commons-friendly search.

If you'd like to place your Google Book under a CC license, you can do so in your account settings. To sign up to add a CC licensed work, visit the Google Books partner page

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http://www.readwriteweb.com/archives/google_books_offers_creative_commons_licensing.php http://www.readwriteweb.com/archives/google_books_offers_creative_commons_licensing.php Google Thu, 13 Aug 2009 17:31:16 -0800 Dana Oshiro
Creative Commons Launches CC OpenID Profile creativecommons_openid_aug09a.jpgIn addition to gaining a slew of information on your rights as a content owner, Creative Commons (CC) is offering new members
another great incentive. In exchange for buying a $50 annual membership, the organization is offering donors the chance to use their network log-in as their OpenID. In other words, if you're the type of person who shares their content for the good of education, art and humanity, now you can wear it like a badge across the networks you frequent.

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]]> While it's often misinterpreted as an organization looking to remove copyright from creative works, Creative Commons actually helps content producers decide on the exact uses for their products. For instance, some content owners allow derivative works for non-commercial and educational purposes and some allow for remix pending attribution. The point is that the organization aims to make more content available to the public for experimentation. As works are released to "the commons", artists, educators and innovators learn and build upon them. ReadWriteWeb covered the Creative Commons database and some of its shining case studies in 2008. It make sense that this group would offer OpenID as membership to their service.

OpenID is a decentralized digital identity that allows for easy access to a number of networks. Members benefit from one singular identity and networks benefit from a lowered barrier to membership. In this way, more information is shared across a variety os social landscapes and therefore, as with Creative Commons, there are more opportunities for engagement and education.

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Says open source advocate Chris Messina in a recent blog post on CC OpenID:

"Creative Commons is redistributing the brand equity and social capital their members have accrued over the last several years by letting people show and verify their affiliation to the organization.

With this simple example, we can start to see the symbiosis of making an intentional choice about identity: Creative Commons finds a new revenue opportunity and members of the community have a way to express their affiliation and promote the brand."

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http://www.readwriteweb.com/archives/creative_commons_launches_cc_openid_profile.php http://www.readwriteweb.com/archives/creative_commons_launches_cc_openid_profile.php News Wed, 05 Aug 2009 20:45:33 -0800 Dana Oshiro
Tynt and Creative Commons: Tracking Content for Good tynt_creativecommons_jul09.jpgEarlier this morning we reported on the AP's new content tracking system and already we're seeing the blogosphere light up with cries of nefarious intent. Nevertheless, just to prove that content tracking may not always be about serving DMCA take down notices, Creative Commons featured the Tynt Tracer tool in a morning blog post.

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]]> Tynt Tracer is a few lines of JavaScript that automatically add license and attribution information to a user's clipboard when they copy text. This method of attribution is not mandatory, nor is it really enforceable as re-posters can always remove the 3 lines of code. Nevertheless, this tool certainly makes attribution convenient.

As an additional plus, Tracer adds, "Our data shows that those pages that users engage with most are not necessarily those with the most page views." With Tracer, publishers can find out their most sought after information and increase the relevancy of their resources to readers. Creative Commons is already using Tracer to see what readers are highlighting, copying and redistributing.

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As well, Creative Commons' Fred Benenson encourages members to consider using the tool. He says, "As a creator and contributor to the commons, you have the right to attribution (all six of our licenses require it), so why not make it easy for your audience to automatically provide it?"

To test Tracer, members can register at Tynt.

Read more:
http://creativecommons.org/weblog/entry/16060#ixzz0MCiF2lSE
Under Creative Commons License: Attribution
http://tracer.tynt.com/features-and-benefits-of-tracer#ixzz0MCg9SuUl
Under Creative Commons License: Attribution No Derivatives

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http://www.readwriteweb.com/archives/tynt_and_creative_commons_tracking_content_for_goo.php http://www.readwriteweb.com/archives/tynt_and_creative_commons_tracking_content_for_goo.php Web 2.0 Design Fri, 24 Jul 2009 11:49:02 -0800 Dana Oshiro
Yahoo Image Search: Now With Creative Commons yahoo_logo_may09.pngYahoo Image Search got a nice update today that allows users to filter search results by Creative Commons (CC) license.

For now, this search only includes CC-licensed images from Flickr, Yahoo's own photo sharing service. The Yahoo Image Search interface actually turns out to be a very nice gateway to the CC-licensed image collection on Flickr, especially because the previews update immediately after you change a filter setting.

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]]> Creative Commons licenses allows content creators to restrict and open up the use of their creations depending on the exact license they choose. Depending on the license, images, for example, can be remixed, used commercially, and shared freely with and without attribution.

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Flickr's own search interface is relatively clunky compared to Yahoo Image Search and the filter settings on Flickr are hidden behind the advanced search feature which only appears after you have initiated a regular search. While this is also true for Yahoo Image Search, Yahoo remembers your settings between search sessions, which is quite a time-saver.

There are also a number of third-party tools for searching CC-licensed images on Flickr, including compfight, one of our favorites, but few are as slick as Yahoo's Image Search.

As we reported earlier this year, most Flickr users choose the most restrictive licenses for their images, but with over 100 million CC-licensed images on Flickr, chances are that you will find a good picture with the right license for almost any occasion.

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http://www.readwriteweb.com/archives/yahoo_image_search_now_with_creative_commons.php http://www.readwriteweb.com/archives/yahoo_image_search_now_with_creative_commons.php News Tue, 26 May 2009 11:57:15 -0800 Frederic Lardinois
ProPublica Wants Newspapers to Steal Its Stories propublica_logo_may09.pngProPublica is an independent, non-profit newsroom with headquarters in Manhattan. ProPublica's newsroom employs 32 journalists and receives financing from the Sandler Foundation and other contributions. The organization's mission is to continue the tradition of investigative journalism at a time where a lot of newspaper organizations have had to cut back on their newsroom operations. The really interesting thing here, though, is that ProPublica is giving away all of its content to other newspapers and online publishers for free under a non-commercial, no-derivatives Creative Commons license.

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]]> While ProPublica chose a non-commercial license for its content, the team clarifies that ProPublica is "fine with ads appearing on the same page as republished stories, but you can't resell the stories or sell ads specifically targeted to them."

Since ProPublica announced this policy, articles from ProPublica journalists have appeared in a wide variety of newspapers and online publications, including USA Today, Politico, Salon, The Denver Post, the Pittsburgh Post-Gazette, Los Angeles Times, ABC News, and the Albany Times Union.

To some degree, ProPublica models an approach that could eventually help newspapers to stay afloat by pooling resources and making stories available across a wider network of papers.

ProPublica and Citizen Journalism

menatwork_may09.jpgJust this week, ProPublica also launched a new citizen journalism project, the ProPublica Reporting Network, that invites citizens to "commit acts of journalism." As its first mission, the ProPublica is asking people to "adopt" a stimulus project and monitor it. Essentially, this project crowdsources investigative journalism, and given the scope of the stimulus bill, this might just turn out to be the only effective way of monitoring the efficiency of a project of this size.

Will More Projects Follow this Path?

It would be nice if other non-profit news organizations like the Pulitzer Center on Crisis Reporting would adopt similarly liberal licenses, though for now, we think this is a great start. If you are aware of similar projects, please let us know in the comments.

Image used courtesy of Flickr user FaceMePLS.

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http://www.readwriteweb.com/archives/propublica_wants_newspapers_to_steal_its_stories.php http://www.readwriteweb.com/archives/propublica_wants_newspapers_to_steal_its_stories.php News Fri, 22 May 2009 09:32:36 -0800 Frederic Lardinois
Wikimedia Foundation to Add Creative Commons License for All Content Recently, the Wikimedia Foundation proposed that the copyright licensing terms on its wikis be changed to include a Creative Commons Attribution-ShareAlike license in addition to its longstanding GNU Free Documentation License (GFDL). The proposal was approved by a 75 percent majority of community voters as announced this week.

The change will apply to all text and multimedia content, including video, images, and audio now licensed under GFDL 1.2 or later versions and will increase "the compatibility and availability of free content," according to the WMF site.

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]]> Although the proposal has not yet been approved by the Wikimedia Foundation's board of trustees, chairman Michael Snow wrote, "The volunteers who work on Wikimedia projects have very strongly supported making their contributions available under the Creative Commons Attribution/Share-Alike License in addition to the GNU Free Documentation License. Updating our license terms will support Wikimedia's charitable mission by making our projects legally compatible with others that have chosen the CC-BY-SA license. Our free information and educational content can be shared more readily and will be easier for everyone to use."

The change in licensing was made possible in November 2008 when the Free Software Foundation updated its most recent of the GFDL, adding language specifically to accomodate the WMF's desire to switch to Creative Commons licensing.

As we reported last month, in the event that the WMF board approves the proposal, existing content will be dual-licensed and new content will be CC-BY-SA licensed only. "This will ensure that any content shared from Wikipedia in the future can be done under the now broadly-used terms of Creative Commons licensing and without the additional restrictions required by the GFDL, which was created more for application code documentation and is slightly more stringent, for example requiring anyone using the content to include the full license code with each use," wrote RWW blogger Phil Glockner.

"When I started Wikipedia, Creative Commons did not exist," wrote Wikipedia founder Jimmy Wales on the site's Q&A page regarding the licensing changes. "The CC-BY-SA license is a more generic license that meets the needs of Wikipedia today, and I'm very grateful that the FSF has allowed this change to happen... It's a critically necessary change for the future of Wikimedia."

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http://www.readwriteweb.com/archives/wikimedia_foundation_adds_creative_commons_license.php http://www.readwriteweb.com/archives/wikimedia_foundation_adds_creative_commons_license.php Digital Media Wed, 20 May 2009 23:34:55 -0800 Jolie O'Dell
Creative Commons Releases Facebook App: Choose a License for Your Photos, Videos, and Status Updates cc_facebook_logo_may09.pngThanks to a new Facebook application from Creative Commons that launched today, Facebook users can now place a Creative Commons license badge on their Facebook profile pages. The badge explains the type of license users have chosen for their photos, videos, and/or status updates. Installing the app and choosing a license is about as easy as it gets, though it is important to note that this is a blanket license and that it is currently not possible to choose a CC license for specific photos or videos.

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]]> As Creative Commons' Fred Benenson explains, until Facebook itself integrates CC licenses as a choice in its applications, users won't be able to choose licenses on a per-item basis (which is possible on services like Flickr, for example).

cc_facebook_small.pngAccording to Facebook's own Statement of Rights and Responsibilities, users own all the content and information they post on Facebook, but, Facebook's users also grant Facebook a non-exclusive, transferable, sub-licensable, royalty-free, worldwide license to use any IP content that you post on or in connection with Facebook ("IP License"). We are not quite sure how Facebook's own license (which has created its share of controversy in the past) would play together with some of the more restrictive and open Creative Commons licenses.

Given that Creative Commons and its licenses are probably still relatively unknown outside of the small world of those who regularly follow copyright issues, it would probably be good if the application explained the different license choices in a bit more detail. The application links to the Creative Commons FAQ, but the information there is probably a bit too abstract for most users who just want a good idea of what license to choose - and why they might want to do that in the first place.

Maybe a link to this video from the Creative Commons or this slideshow would explain the purpose behind Creative Commons a bit better for new users.

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http://www.readwriteweb.com/archives/creative_commons_releases_facebook_app.php http://www.readwriteweb.com/archives/creative_commons_releases_facebook_app.php News Mon, 18 May 2009 10:33:19 -0800 Frederic Lardinois
Wikipedians to Vote on Site-Wide Creative Commons The Creative Commons Blog today announced that the Wikipedia community is holding a vote to move to using Creative Commons for its primary content license. The license being discussed is CC BY-SA or Attribution-ShareAlike. Although Wikipedia is already covered by the Gnu Free Documentation License (or GFDL), which is similar (and was the best available choice at the time Wikipedia got started), it contains some 'potentially onerous provisions' according to the Wikimedia Licensing Update page.

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]]> The process to get to the Creative Commons license would start by dual-licensing existing content, and then allowing new third-party content created for Wikipedia to come in just under the CC BY-SA license. This will ensure that any content shared from Wikipedia in the future can be done under the now broadly-used terms of Creative Commons licensing and without the additional restrictions required by the GFDL, which was created more for application code documentation and is slightly more stringent, for example requiring anyone using the content to include the full license code with each use.

The Wikipedia licensing Questions and Answers page contains a quote from Wikipedia cofounder Jimmy Wales which sums up the necessity of the change:

"When I started Wikipedia, Creative Commons did not exist. The Free Documentation License was the first license that demonstrated well how the principles of the free software movement could be applied to other kinds of works. However, it is designed for a specific category of works: software documentation. The CC-BY-SA license is a more generic license that meets the needs of Wikipedia today, and I'm very grateful that the FSF has allowed this change to happen. Switching to CC-BY-SA will also allow content from our projects to be freely mixed with CC-BY-SA content. It's a critically necessary change for the future of Wikimedia."

Some parts of Wikipedia are already using the Creative Commons license, like many of the images that are uploaded by contributors. However, even with Wikimedia Commons, the default is GFDL.

The voting is ongoing and eligibility to vote is extended to all users who have made at least 25 edits to any Wikimedia project before March 15, 2009. Voting ends on May 3, 2009. Instructions are on the licensing page and are fairly simple; they say to "Visit the page called Special:SecurePoll/vote/1 on a wiki for which you meet the voting conditions."

Image courtesy of the Creative Commons blog.

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http://www.readwriteweb.com/archives/wikipedians_to_vote_on_site-wide_creative_commons.php http://www.readwriteweb.com/archives/wikipedians_to_vote_on_site-wide_creative_commons.php News Mon, 13 Apr 2009 15:38:49 -0800 Phil Glockner
Free Music Archive Launches Beta, Offers 5000 Free Tracks On the internet, there are a number of places you can go to get free music, but when it comes to free, legal music, there just aren't as many options. That's why it's exciting when something like The Free Music Archive opens its doors. Having just launched into beta, this site, a project of WFMU, one of the most popular freeform radio stations in America, aims to provide a platform for free public access to new music. At the FMA, they've created an online archive where there are currently 5000 free tracks available for download in a variety of genres.

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]]> The Free Music Archive's goal is to provide public access to new music in a way that's "designed for the age of the internet." The tracks on the site are pre-cleared for a variety of modern-day uses, including pod-safe audio, samples for remixes, music for audio and video productions, and, of course, tracks that you can just add to your latest playlist.

The platform, inspired by Creative Commons and the notion of open software, is a collaborative effort between WFMU and others, including KEXP, dublab, KBOO, ISSUE Project Room, and CASH Music, all of whom work to curate the music made available on the site. Instead of fearing free downloads (as the music industry typically does), the belief here is that providing free downloads will actually encourage people to purchase music. Although all the tracks on the site are free, there are links that point to full album downloads which are not. Also, FMA users have the option of "tipping" an artist when they find something they like by sending money to the artist's PayPal account.

Obviously, the FMA is not a resource where you're going to find the latest Top 40 artists or classic tunes you know and love. This is because - let's face it - by the time you've heard of a band, someone has spent a lot of money making sure you did so. In other words, if you're not interested in seeking out new music, the FMA is not the place for you. For others, however, the site will be a treasure trove of discovery. You can delve into genres and sub-genres you may have never even heard of (Sludge? Glitch? Wow, I feel old now.)

To find good tunes to download, you can choose to browse by curator or genre using links at the top of the homepage. Next to each track is a down arrow button which saves the MP3 file to your computer. You don't have to register to download files, but if you want to take advantage of the site's social features, you do. Registered users can create friend lists, leave comments, become fans of the content, write blog posts, and create mixes.

If you're not sure where to get started on the FMA, WFMU's sample collections (Volume 1 and Volume 2) are good resources.

The Free Music Archive is in Beta right now and they promise that more features are coming in the future.

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http://www.readwriteweb.com/archives/free_music_archive_launches_beta_offers_5000_free.php http://www.readwriteweb.com/archives/free_music_archive_launches_beta_offers_5000_free.php music Fri, 10 Apr 2009 06:14:06 -0800 Sarah Perez
Creative Commons on Flickr: Users Prefer Restrictive Licenses cc_flickr_logo_mar09.pngFlickr now holds the world's largest repository of Creative Commons-licensed images, but according to a new study, most Flickr users opt to license their images under the most restrictive CC license. Also, only a relatively small number of users (24%) allow commercial use of their images, and only about 12% of users choose the BY license, which allows for free sharing and remixing, as long as the author is attributed.

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]]> In total, Flickr now hosts over 100 million CC-licensed images, so even the least restrictive CC license accounts for a total of 12 million photos, and, of course, even the most restrictive CC license still allows for free sharing of the images, as long as the image is not changed and the author is attributed.

Derivative Works

cc_on_flickr_small.pngWhile the highly restrictive BY-NC-ND license is the most popular CC license on Flickr (33%), the second most popular license (29%) is the BY-NC-SA license, which allows for derivative, non-commercial works, as long as the resulting work is licensed under the same license. In total, according to this study, about 63 million images on Flickr can be used for creating derivative works like films, photo montages, or animations.

Growth is Slowing

The growth rate for CC-licensed images on Flickr is slowing, however. The growth rate has slowed down from 13% in April 2006, to 4% in November 2008. Currently, the growth rate is holding stable at 4% per month.

Make Creative Commons Your Default on Flickr

If you want to make sure that all of your photos are covered under a Creative Commons license, just head to the Privacy & Permissions tab in your Flickr account settings, where you will find a Defaults for new uploads section. From there, you can change your default license. If you never changed it, it will currently mark all your new uploads as "all rights reserved."

Note: If you want to "Rock Flickr Like a Champ," have a look at this post.

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http://www.readwriteweb.com/archives/creative_commons_on_flickr_users_choose_most_restr.php http://www.readwriteweb.com/archives/creative_commons_on_flickr_users_choose_most_restr.php News Thu, 26 Mar 2009 11:56:18 -0800 Frederic Lardinois
CC Zero: A New Tool to Push Your Work Immediately Into the Public Domain Did you know that written, scientific or artistic content you create is automatically put under copyright protection under US law - whether you want it to be copyrighted or not? That's not good for a culture of collaboration and building on each others' work - quite the opposite in fact.

Today, the Creative Commons Foundation is announcing a new tool called CC Zero. CC Zero isn't another legal license from the group, instead it's a legal tool that lets content creators give up the rights claims they are given by default and instead send their work into the public domain.

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The Creative Commons Foundation's work is already extremely useful in finding content that's licensed for freely reusable work with certain conditions placed on it, like the section in Flickr where you can find photos you're free to reuse as long as you give credit to the original creator. A new tool that lets authors just push their work immediately into the public domain free of conditions should make content reuse and collaboration all the more friction free.

As things stand, US copyright law prohibits reuse without explicit permission for creative works until they enter the public domain - 70 years after the death of the author or 120 years after publication date if the date of death of the author is unknown. These lengthy periods leave the public domain pretty anemic. CC Zero will let content creators uninterested in copyright claims push their work into the public domain immediately.

A Well-Designed Tool

CC Zero has three components to it. The first is legal code, developed as all of CC's work is to be applicable with laws in every country around the world. The legal work was done in collaboration with two of Silicon Valley's very top legal firms, Wilson Sonsini Goodrich & Rosati and Latham & Watkins. It should be pretty air tight.

The second component is a "human readable" text explaining how CC Zero works. You can read the CC Zero FAQ on this page.

The final component is machine readable code, making CC Zeroed content easily discoverable around the web. The Foundation says this should be particularly valuable in scientific work, but machine readable markup is interesting in all kinds of contexts. Try Googling for freely reusable content now to get an idea how this might work.

Early Examples

Two scientific projects are using CC Zero right away. The Proteomecommons Project is an academic project where scientists study large proteins. The Personal Genome Project is putting the genetic data of 10 individuals into the public domain for research using CC Zero.

The Foundation has been gathering Creative Commons case studies in a wiki since the middle of last year; that's a good place to find out about how people around the world have been putting CC's other work to use so far. Hopefully CC Zero projects will start appearing there soon.

The default copyright protection imposed by US copyright law, and increasingly around the world, might serve some people's interests well - but the availability of a tool to give up those "rights" and participate in the global free knowledge economy seems to us a very valuable effort. You can check out CC Zero on this page.

See also Microsoft's collaboration with CreativeCommons on a new scientific ontology plug-in for Office, also announced today.

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http://www.readwriteweb.com/archives/cc_zero_a_tool_to_drop_your_rights_and_go_public_domain.php http://www.readwriteweb.com/archives/cc_zero_a_tool_to_drop_your_rights_and_go_public_domain.php News Wed, 11 Mar 2009 08:29:13 -0800 Marshall Kirkpatrick
Track Your Creative Commons Works in the Wild With FairShare Attributor Corp. announced a collaboration with Creative Commons today to offer a free service to anyone wishing to track their content on-line. The service is called FairShare. Provide FairShare with an RSS feed of your content and the service will compare it to billions of indexed pages around the web.

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Once FairShare has the content, it creates a custom RSS feed that delivers a running list of site links where the licensed content may be found. Each result contains a link to a FairShare page that has more information and a stored capture of the Web page in question. The collaboration with Creative Commons comes in when FairShare attempts to determine whether sites reusing your content are respecting the terms you've set in your Creative Commons license. For example, ads on the page violate conditions for one type of CC license, non-commercial reuse only.

The FairShare system was developed to help content creators discover all the ways their works were being used on the Internet. By automatically monitoring for re-use, authors get a better idea of who is taking inspiration from their works. This works well, but we would like to be able to pull up more detail on each site, for example WHOIS information.

FairShare is launching in beta today and is accepting new RSS feeds from anyone. If you have your own feed, go ahead and give it a try. You might be surprised (even pleasantly) by where your words appear and in what context.

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http://www.readwriteweb.com/archives/creative_commons_watchdog_fairshare_launches_today.php http://www.readwriteweb.com/archives/creative_commons_watchdog_fairshare_launches_today.php News Wed, 04 Mar 2009 00:21:00 -0800 Phil Glockner
Larry Lessig Leaves Stanford to Return to Harvard Law Digital copyright reformer turned high-profile anti-corruption activist Lawrence Lessig announced today that he's leaving Stanford and returning to his previous employer, Harvard Law. Lessig will work on anti-corruption issues from there. Lessig was the founder of the Creative Commons Foundation and many hoped he'd take a position in the Obama administration.

We've covered his latest move in greater depth over at Jobwire, our site tracking hires in tech, new media and related industries. Join us there for more details on Lessig's latest career change.

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http://www.readwriteweb.com/archives/larry_lessig_leaves_stanford_t.php http://www.readwriteweb.com/archives/larry_lessig_leaves_stanford_t.php News Fri, 12 Dec 2008 15:02:24 -0800 Marshall Kirkpatrick
"Yes We Can" Director Releases Video About Science Commons Science Commonslogo.jpgFilm director Jesse Dylan, the co-creator of the Emmy award winning Barack Obama support video Yes We Can has released a new work, this time explaining the Creative Commons Foundation's science initiative, Science Commons.

Dylan, who coincidentally is the eldest son of folk legend Bob Dylan, uses his familiar style to aggregate a quick selection of scientists explaining why a web-based revision of copyright policy is so important for the advancement of scientists. "Scientists are the ultimate remixers," one interviewee says, and we agree that Creative Commons in science is a very exciting idea.

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Few media are as compelling as video and we hope that this new short work is helpful in garnering support for Creative Commons in the sciences.

Dylan's work joins a long list of well made Creative Commons videos, which have been helpful in explaining the movement to revise copyright to countless people, no doubt including even President Elect Barack Obama, whose own website was recently put under a Creative Commons license.

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http://www.readwriteweb.com/archives/yes_we_can_director_releases_v.php http://www.readwriteweb.com/archives/yes_we_can_director_releases_v.php Digital Media Mon, 08 Dec 2008 09:16:17 -0800 Marshall Kirkpatrick