copyleft - ReadWriteWeb http://www.readwriteweb.com/feeds/tag/copyleft en Copyright 2012 Richard MacManus readwriteweb@gmail.com Wed, 15 Feb 2012 07:00:00 -0800 http://www.sixapart.com/movabletype/?v=4.35-en http://blogs.law.harvard.edu/tech/rss Google Books Offers Creative Commons Licensing creativecommons_google_sug09a.jpgEarlier this morning Google Books announced a program where rights owners would be given the option to modify their copyright licenses and specify them as Creative Commons (CC) works. The initiative allows writers, artists and publishers to mark their books with one of 6 CC version 3 licenses, a public domain license or the CC "no rights reserved" license.

]]> creativecommons_google_aug09.jpgIn the last few months Creative Commons has celebrated some benchmark programs with large-scale publishers including perhaps the most notable event, Wikipedia's community-wide adoption of the Creative Commons Attribution-Share Alike license.

The addition of Google Books as a partner is a significant one as the search giant's involvement promises to increase the public's ability to find works to share and remix. For now, CC licensed books are distinguishable by a Creative Commons logo to the left of the preview pane. In the future, licensing is likely to become an advanced search feature within the site. When that happens, remixing material will be so much easier to find.

For example, Google already prints full versions of out-of-copyright books for its Library Project. Once these books are tagged with the public domain license, thousands of out-of-copyright and sometimes out-of-print books will become easily searchable. We may see a renewed interest in our favorite classics, or see them altered in new and unusual ways. By showcasing CC licensed material, Google Books may prompt other companies like Flickr to further prioritize commons-friendly search.

If you'd like to place your Google Book under a CC license, you can do so in your account settings. To sign up to add a CC licensed work, visit the Google Books partner page

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http://www.readwriteweb.com/archives/google_books_offers_creative_commons_licensing.php http://www.readwriteweb.com/archives/google_books_offers_creative_commons_licensing.php Google Thu, 13 Aug 2009 17:31:16 -0800 Dana Oshiro
Creative Commons Launches CC OpenID Profile creativecommons_openid_aug09a.jpgIn addition to gaining a slew of information on your rights as a content owner, Creative Commons (CC) is offering new members
another great incentive. In exchange for buying a $50 annual membership, the organization is offering donors the chance to use their network log-in as their OpenID. In other words, if you're the type of person who shares their content for the good of education, art and humanity, now you can wear it like a badge across the networks you frequent.

]]> While it's often misinterpreted as an organization looking to remove copyright from creative works, Creative Commons actually helps content producers decide on the exact uses for their products. For instance, some content owners allow derivative works for non-commercial and educational purposes and some allow for remix pending attribution. The point is that the organization aims to make more content available to the public for experimentation. As works are released to "the commons", artists, educators and innovators learn and build upon them. ReadWriteWeb covered the Creative Commons database and some of its shining case studies in 2008. It make sense that this group would offer OpenID as membership to their service.

OpenID is a decentralized digital identity that allows for easy access to a number of networks. Members benefit from one singular identity and networks benefit from a lowered barrier to membership. In this way, more information is shared across a variety os social landscapes and therefore, as with Creative Commons, there are more opportunities for engagement and education.

creativecommons_openid_aug09b.jpg

Says open source advocate Chris Messina in a recent blog post on CC OpenID:

"Creative Commons is redistributing the brand equity and social capital their members have accrued over the last several years by letting people show and verify their affiliation to the organization.

With this simple example, we can start to see the symbiosis of making an intentional choice about identity: Creative Commons finds a new revenue opportunity and members of the community have a way to express their affiliation and promote the brand."

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http://www.readwriteweb.com/archives/creative_commons_launches_cc_openid_profile.php http://www.readwriteweb.com/archives/creative_commons_launches_cc_openid_profile.php News Wed, 05 Aug 2009 20:45:33 -0800 Dana Oshiro
Tynt and Creative Commons: Tracking Content for Good tynt_creativecommons_jul09.jpgEarlier this morning we reported on the AP's new content tracking system and already we're seeing the blogosphere light up with cries of nefarious intent. Nevertheless, just to prove that content tracking may not always be about serving DMCA take down notices, Creative Commons featured the Tynt Tracer tool in a morning blog post.

]]> Tynt Tracer is a few lines of JavaScript that automatically add license and attribution information to a user's clipboard when they copy text. This method of attribution is not mandatory, nor is it really enforceable as re-posters can always remove the 3 lines of code. Nevertheless, this tool certainly makes attribution convenient.

As an additional plus, Tracer adds, "Our data shows that those pages that users engage with most are not necessarily those with the most page views." With Tracer, publishers can find out their most sought after information and increase the relevancy of their resources to readers. Creative Commons is already using Tracer to see what readers are highlighting, copying and redistributing.

tracer_creativecommons_jul09.jpg

As well, Creative Commons' Fred Benenson encourages members to consider using the tool. He says, "As a creator and contributor to the commons, you have the right to attribution (all six of our licenses require it), so why not make it easy for your audience to automatically provide it?"

To test Tracer, members can register at Tynt.

Read more:
http://creativecommons.org/weblog/entry/16060#ixzz0MCiF2lSE
Under Creative Commons License: Attribution
http://tracer.tynt.com/features-and-benefits-of-tracer#ixzz0MCg9SuUl
Under Creative Commons License: Attribution No Derivatives

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http://www.readwriteweb.com/archives/tynt_and_creative_commons_tracking_content_for_goo.php http://www.readwriteweb.com/archives/tynt_and_creative_commons_tracking_content_for_goo.php Publishing Services Fri, 24 Jul 2009 11:49:02 -0800 Dana Oshiro
Study says Patents Hurt Innovation patentsim_lessig_jul09a.jpgAccording to a study published in The Columbia Science and Technology Law Review, patents may be harming our ability to innovate. Patents and the Regress of Useful Arts, written by Bill Tomlinson of UC Irvine and Andrew Torrance of University of Kansas School of Law, tested the hypothesis with a game called PatentSim. The game is an online simulation of a pure patent system, a patent-free commons system, and a mixed system. Within each environment, first year university students were asked to license, assign, infringe, and enforce patents. The study found that while a mixed patent environment and pure patent environment did not offer substantially different results, students in a commons system generated significantly higher rates of innovation, productivity and social utility. Essentially, the study supports what Lawrence Lessig and free culture advocates have been saying for years: a society free from intellectual property monopolies is a society that is better off.

]]> In the study, Torrance and Tomlinson explain how patents have been wrongly justified as a way to encourage invention. The justification has been that by excluding others from duplicating an invention or process, the patent owner is more likely to spend time, energy and resources on their product. However, past studies have proved otherwise. Data collected from PatentSim further substantiates these findings.

PatentSim was presented as a game in which the goal is to make as much money as possible. In each environment, subjects combined objects in a "Creation Box" to simulate an invention. Whenever a subject created an invention and clicked on the "Make" button, money would appear in their virtual bank. In the pure patent and mixed patent environments, subjects could also click on a "Patent" button to increase their profit. Each patent was priced at $20 and each use of a lawyer also cost $20. At the end of the study, students had produced significantly more inventions and profit in the commons environment when they were not being penalized for patent infringement or were busy enforcing their patents.

patentsim_lessig_jul09.jpg

The study suggests that innovation not only thrives in a competitive environment, but that more profit can be generated by inventors in a commons system. Because PatentSim is just a simulation, readers need to take findings with a grain of salt. While the rate of inventions would likely increase without patents, it's tough to tell if inventors would really see unlimited profit potential in an environment free of patents. After all, how many different zipper pulls does the market demand?

Nevertheless, in some cases, the demand for a product or process is all too evident. Imagine the competitive market for hearing aids and prosthetics, or the success rate of farmers who are free to use the best possible processes. And honestly, does HIV really care if it's being treated by Glaxo, Pfizer or a tested generic knockoff?

This study is important in that it might spur policy makers to question how we look at innovation. Are inventions just disparate exclusively-owned products, or should we be sharing them out of necessity to solve our bigger-picture problems?

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http://www.readwriteweb.com/archives/study_says_patents_hinder_innovation.php http://www.readwriteweb.com/archives/study_says_patents_hinder_innovation.php Thu, 02 Jul 2009 10:00:00 -0800 Dana Oshiro
Study says 85% Online Canucks have Facebook Profiles facebook_canada_jun09.jpg According to research group Ipsos Reid's "Social Networking: 2009" poll, Canadians are flocking to social networking sites. In the last 18 months, the percentage of Canucks with a social networking profile has increased from 39% to 56%. This rapid rise in social networking users has Canadian marketers scratching their heads as to how they can best brand in the space. With more than three quarters of those online owning a Facebook profile, it's not surprising that the blue beast is the main topic of discussion in relation to marketing groups. Says report writer Mark Laver, "Online social networks tend to be extremely personal and this thus creates a dilemma for marketers and businesses - how to communicate in a personalized setting without upsetting the target audience."

]]> Nevertheless, while traditional marketers are often met with resistance within the site, political advocates working within Facebook have had resounding success in Canada.

Perhaps most successful is University of Ottawa professor, Michael Geist's, outspoken stance against the introduction of the Canadian DMCA (Digital Millennium Copyright Act). A little over a year ago, Geist launched his Fair Copyright for Canada Facebook Group in the hopes of educating the public about a bill he saw as a "sell out to American pressure". Geist believed that Bill C-60 would have effectively duplicated American copyright legislation and created an unfair imbalance between copyright holders and general consumers. Thousands of Canadians agreed and the Fair Copyright Facebook group gained widespread popularity.

On the day the DMCA was to be voted upon, the Facebook group had more than 25,000 members and Federal Industry Minister Jim Prentice dissolved the legislation in favor of further analysis. While there was no admittance from the Minister that online resistance was the reason, Industry opposition Charlie Angus exclaimed, "They tabled the bill this morning, now 3 hours later he tells me they've got cold feet? Did they just discover Facebook this morning?"facebook_canada_jun09a.jpg

Whether Canadians like it or not, Facebook has changed the landscape of Canadian politics. Geist's Fair Copyright for Canada group currently has more than 89,000 members, and he was named the Electronic Frontier Foundation's Pioneer of 2008. Meanwhile, the Conservative government has promised to reintroduce the DMCA, but no date has been set in legislature. For more on the Geist and the Facebook group, check out the coverage on CBC's The Hour.

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http://www.readwriteweb.com/archives/study_says_85_online_canucks_have_facebook_profile.php http://www.readwriteweb.com/archives/study_says_85_online_canucks_have_facebook_profile.php Facebook Fri, 19 Jun 2009 13:00:00 -0800 Dana Oshiro
Screen Casts Rock - Here's Who's Rocking Them Now screenflowlogo.jpgScreen cast videos are one of the most powerful ways to show off anything on the web. They are also quite difficult to do well. That sounds like a pretty sweet spot for specialization and sure enough, a new class of freelancers is emerging to fill the demand.

In this post we look at the work of four of our favorite screen casting freelancers. We think you'll enjoy their work and we hope that you can point us to some still undiscovered people making this kind of magic.

]]> The Pioneers

Jon Udel, who used to work at Infoworld and is now at Microsoft, is widely considered the granddaddy of the screen cast. Another strong old schooler is Don from Screencasts Online, a site that has free and subscription tutorials about how to use a Mac. Don uses ScreenFlow, a wonderful Mac app you can buy for $100. We've been using Screenflow lately to make some screencasts ourselves.

The first freelance screencaster available for hire that we discovered was Molly McDonald, whose work at DemoGirl has made her the go-to screen caster for hire for many startup companies of late.

Here's a sample of her work, a screencast demo of mixtape site 8tracks.

The Up and Comer

Colin Sproule at InternetJogging has been making a number of great screencasts lately, most of them about using the Mac single app browser Fluid. We discovered his work when he made a great video about Muxtape in Fluid.

Here's another one he made about using Fluid and Threadless together.

You Just Missed Him

Michael Pick was one of the inspirations for this post, but now that we take a look we find that he's no longer available for freelance work! Pick's been hired full time by Automattic, the makers of WordPress. While we are happy for him, we are dissapointed that we won't be able to see his work around the web about apps in general. His departure from freelancing leaves a big hole in the market.

The Champs

The reigning champs of freelance screen casting have to be Common Craft. This Seattle consultancy found a hit formula in stop-motion line drawn illustrations telling stories about web apps. Their first, RSS in Plain English, is still the best way to explain RSS that we've seen yet. The production value is downright quaint compared to the more professional work they are doing now.

Common Craft's charming storytelling skills have lead to jobs from a list of companies, including Google and Twitter.

Here's Our Best Effort So Far

We just bought ScreenFlow ourselves and it's so much fun to use! Here's one video we made for a post this week. We're just starting to learn how to do this, but ScreenFlow makes it really easy.

There's Huge Demand

Proficient screen cast producers should be cleaning up right now. There is so much untapped demand for this kind of service. Who else do you know that offers this kind of service?

Want to be that person? Check out Beth Kanter's fantastic screen cast tutorial wiki. (See this awesome screen cast of Beth's, in fact.) The future of screen casting is wide open, but we sure are glad there's some great examples already for all of us to take inspiration from.

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http://www.readwriteweb.com/archives/screen_casts_rock_heres_whos_r.php http://www.readwriteweb.com/archives/screen_casts_rock_heres_whos_r.php Publishing Services Thu, 21 Aug 2008 15:00:37 -0800 Marshall Kirkpatrick
Mozilla Announces Best New Firefox 3 Extensions firefox_logo_aug08.jpgMozilla just wrapped up its Extend Firefox 3 contest and, after reviewing over 100 entries, its team of judges has announced the winners for Best Add-ons, Best Updated Add-on, and Best Music Add-on. In the Best New Add-on category, the winners were Pencil by Dương Thành An, Tagmarks by Felipe Tassario Gomes, and HandyTag by Rémi Szymkowiak, while the Best Music Add-on category was won by Fire.fm from Jorge Villalobos and Jose Enrique Bolaños.

The contest was meant to showcase extensions that made use of the new capabilities Mozilla introduced in Firefox 3 and managed to combine this with excellent usability and the use of open standards.

]]> Grand Prize Winners

pencil_firefox.jpgPencil, one of the three Grand Prize winners, is an easy to use tool for GUI prototyping and diagramming, which makes uses of Firefox's SVG support for rendering and scripting. It's obviously not the most exciting of applications, but it works as advertised and is a great tool for anybody who needs to draw up a GUI prototype quickly.

tagmarks_firefox.pngThe second Grand Prize winner, Tagmarks, adds a set of icons to your URL bar that allows you to easily add tags to your bookmarks or to quickly bookmark and tag a page at the same time. Out of all the plugins in the contest, this one is probably the most immediately useful. Adding tags to a bookmark can be useful, but few people make use of this capability. Tagmarks also allows you to safe your links to Delicious in addition to your local bookmarks.

The third Grand Prize winner is also a tagging extension: HandyTag. HandyTag suggests tags for your bookmarks based on the tags you have already used, tags given by Delicious users, and tags HandyTag's keyword extractor suggests.

Fire.fm

firefox_firefm.pngFire.fm, the best new music add-on, gives you easy access to your stations on our favorite streaming music site, Last.fm. Fire.fm works exactly as advertised and provides a nice way to play music through Last.fm without having to keep a browser window open. You can also easily access your favorite stations by just typing in a few letters into the URL bar.

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http://www.readwriteweb.com/archives/best_new_firefofox_3_addons.php http://www.readwriteweb.com/archives/best_new_firefofox_3_addons.php News Thu, 21 Aug 2008 13:28:48 -0800 Frederic Lardinois
MySpace Pushing New Apps Hard After watching from the sidelines for almost a year while rival Facebook had praise heaped upon it by the press for the success of their application platform, it is no wonder that MySpace would be pushing its recently released developer platform hard. It has been just about 3 weeks since the first few apps were unleashed on the MySpace public, and over the past two days MySpace had made a pair of announcements that demonstrate just how much the company is committed to seeing their platform succeed.

]]> Press Opps For Apps

First, MySpace is taking the unorthodox move of giving applications some access to their PR department. MySpace announced on Monday that it is looking for a few good apps with whom to put out joint press releases. This is undoubtedly a good move for MySpace PR because it allows them to create a more continuous buzz about the platform. But like the platform itself, sharing the stage with app developers is a surprising shift from old policies for the News Corporation-owned social network.

This is, after all, the same News Corp. whose President and COO Peter Chernin said in 2006, by way of introducing plans for MySpace to compete with many of the companies that had helped it grow, "If you look at virtually any Web 2.0 application, whether its YouTube, whether it’s Flicker, whether it’s Photobucket or any of the next-generation Web applications, almost all of them are really driven off the back of MySpace."

It's the same Fox Interactive Media (the arm of News Corp. that controls MySpace) whose Chief Revenue Officer Michael Barrett said last year, "We probably should have stopped YouTube. YouTube wouldn’t exist if it wasn’t for MySpace. We’ve created companies on our back."

And it's the same MySpace that famously blocked widgets (such as YouTube and Photobucket -- the latter of whom it eventually bought) that competed with products of its own.

But a lot has changed in the past year. Not only has MySpace embraced the idea of an application ecosystem and launched a developer platform, but they also announced plans in January to create a startup incubator. Is it too little, too late, though? Will MySpace's platform be as successful as Facebook's has been?

Apps in the News Feed ... Er, Friend Subscriptions

Yesterday, MySpace also announced that it would begin pushing notifications of app installations to its Friend Subscriptions -- their equivalent of the Facebook News Feed.

Interestingly, while MySpace is just rolling out this feature, Facebook has recently begun to impose restrictions on how applications interact with the News Feed in an effort to combat information overload and growing noise. It will be interesting to see if MySpace repeats the same mistakes Facebook has made, or learns from them and implements tighter restrictions on it Friend Subscriptions from the start.

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http://www.readwriteweb.com/archives/myspace_pushing_new_apps_hard.php http://www.readwriteweb.com/archives/myspace_pushing_new_apps_hard.php Product Reviews Thu, 03 Apr 2008 10:25:53 -0800 Josh Catone