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In this fourth part of our investigation into the ongoing changes in the book publishing business, we look at the author's point of view. What are they getting today? What would they like to get? What can they reasonably expect to get as this drama unfolds? Authors are the creative juice of the whole eco-system. If they don't create material that people want to read, no one will make any money.
Their struggles in the old model have been well documented (of course, we should have expected them to write about their experiences): the starving writer up in the garret who uses rejection letters from publishers for wallpaper is an established literary hack. In the new world of print on demand, e-books and social media marketing, the author takes center stage. Those with an appetite for it can really take control of their work and commercial fortune.
In Part 1, we described the three big waves crashing down on the traditional book publishing business: Google Search, the Kindle and e-books, and print on demand. In Part 2, we indulged in some science fiction, envisioning the future of the major players in book publishing: readers, authors, printers, publishers, retailers, and e-book device vendors. In Part 3, we'll dig into one very specific business practice: returnability (a.k.a. "the curse of unsold inventory"). Some thinking outside the box on this 70-year-old business practice could possibly help an industry in turmoil. Unless e-books simply replace all physical books (which seems highly unlikely), some radical changes will need to be made to the physical book supply chain.
Have you every wanted to run your own magazine, but never had enough money or a large enough audience to make it worthwhile? Well, if there's one thing that the self-publishing industry can cater to, it's the long tail. Now, thanks to a startup called MagCloud, even the smallest of ventures can produce their own, professional, full-color magazine and without the costs normally associated with hiring traditional publishing companies.
Last July, while the seventh Harry Potter book was setting sales records, we wrote a post detailing how to write and publish a book from start to finish. At the time, Lulu was easily the best self-service print on demand option available to fledgling authors. With limited fees, a thriving community, and distribution options that made it easy (relatively speaking) to get your book on store shelves, it was a no-brainer for many writers. Since that time, though, things have changed, and the burgeoning print on demand industry is starting to come into its own.
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