"Radios have historically been speakers where broadcasters control what blares out," Robertson writes on his blog today about his first partnership with a digital radio manufacturer. "A new day is upon us where listeners are wrestling control away from broadcasters and can now control what comes out of their radios. "

Robertson, whose controversial career is best known for music locker and lawsuit magnet MP3.com, launched DAR.FM in February. He contends that this new service is wholly in the clear legally, but it's already come under some criticism for free-loading on the streaming costs faced by the radio stations he enables consumers to record.

Once again, however, Robertson has created a service that's sure to please consumers. Making talk radio a media more under control of listeners sounds cool and may work better at popularizing digital audio content than podcasting has, with its user experience challenges. ITunes, the dominant podcast subscription technology available, does not make the whole experience much fun.

DAR works on a variety of other devices including this one. Competitors include RadioShift from Rogue Amoeba, StreamRipperX and Radioshift.

Could technology like DAR, in a variety of consumer technologies like the Grace Digital Radio, lead to a convergence of traditional radio and podcasting in a more compelling offering? I think it might.

Says Pandora CTO Tom Conrad, "Pandora still runs on your iPhone and controls access to the service, but all control and display elements [will be] shifted to the dash. This allows you to tune into your stations, play songs, give thumbs up/down, as well as get information (including album art) about the currently playing song, all with your iPhone safely tucked away in the glove compartment."

While the $1200 dollar price tag for the connection device is high, the fact that the service is free will theoretically save consumers from paying monthly radio subscription fees.

As well, if Pioneer manages to partner with other music providers like Microsoft with Zune Marketplace, Spotify or MOG, then web subscriptions will simply be cross-platform music accounts. While Paid Content suggests that we're looking at the end for satellite radio companies like Sirius XM, we think the greater effect of web-enabled cars might be the end of professionally curated music. Does web music spell death for disc jockeys? Let us know your thoughts in the comments below.

The app was made by a non-profit organization called Public Radio Exchange (PRX). PRX was founded and is run by Jake Shapiro, a man who used to be an associate director at Harvard's Berkman Center for Internet and Society. Shapiro used to produce an NPR radio show with Christopher Lyndon and before that he was one of the first tinkerers with web distribution of music for his band Two Ton Shoe.

Two Ton Shoe didn't find a lot of success in the United States, but thanks to the long tail of the web Shapiro says they somehow found a big fan base in Korea. The band toured there and Korean bands have covered some of their songs. "I'm a Korean rock star," Shapiro says, "and I believe there's a 'Korea' out there for everybody."

About a year ago Shapiro says he called around all the major players in public radio and argued that they had a unique opportunity in the iPhone platform if they could collaborate and create a really strong offering. An organization called American Public Media decided to contribute the work they had done so far on their own iPhone app to Shapiro's project and NPR and Public Radio International agreed to lend their support to what would become the Public Radio Tuner, today renamed the Public Radio Player.

Funding Local Radio on the iPhone

Public Radio Player could facilitate that long tail experience for obscure local public radio content by making it far more available on the iPhone. But PaidContent's Rafat Ali worries that by freeing radio listeners all the more from their local radio station, the Player could sever the loyalty and fund raising connections that keep public radio alive.

To that concern Shapiro has two interesting responses. First, he says that survey data shows most users prefer listening to their local stations on the app, along with a variety of favorites from elsewhere.

Even more interesting is the project's collaboration with Cluetrain Manifesto co-author Doc Searls. Searls is at Harvard's Berkman Center now, developing a framework for what's being called Vendor Relationship Management (VRM) - a customer-based response to the business paradigm of Customer Relationship Management (CRM). The VRM project and Shapiro's PRX are developing ways for Public Radio Player users to track what they listen to on the player and make financial contributions to the radio stations they've consumed from the most.

Shapiro says that part of the project faces a major roadblock from Apple. Though Apple introduced in-application payments last month, the feature is only available to paid apps (Public Radio Player is free) and charitable contributions through the iPhone are strictly prohibited. They can't even be talked about, Shapiro says, because Apple doesn't want to deal with the possibility of charity scams, there's tax complications, the platform's standard 30% fee for payments isn't tenable in a non-profit context and Apple has no financial incentive to solve this sticky complex of problems.

For now the app is funded by a grant from the Corporation for Public Broadcasting. That funding is up for renewal this summer. Shapiro says that a second round of funding would be used to create "showcase apps that would break new ground and create new technology." He says the company is particularly interested in technologies that represent a hybrid of digital and broadcast. "With radio," he says, "there is still a tremendous amount of reach that you don't want to give up on when you move into the digital space."

Fixing the App

That hybrid paradigm is very well represented by the new version of the Public Radio Player. The previous version, called Public Radio Tuner, was one of the most popular free apps in the iPhone store but it didn't really work that well. Radio streams got dropped a lot. That's no longer a big problem with version 2.0.

The new version of the app tackles the problem of dropped streams by making the buffering settings much more sophisticated. Remember, the App doesn't host any of the audio, it just points to the live streams or podcasts stored on public radio stations' own servers. Project manager Matt MacDonald says the app now determines what kind of bandwidth the receiving phone has, then buffers the inbound stream accordingly before serving it up to listeners. The end result is a radically more usable radio app on wifi, 3G or Edge connections.

It's still not perfect; this like every app is at the mercy of AT&T's wireless network, but dropped streams appear to be much, much less frequent than they used to be. The interface sometimes hangs when loading menus, but Shapiro says that with the new release today bug fixes are a top priority and though crash reports are appearing infrequently, they are being closely watched. "Just shake the phone," he jokes. "Then it will work better."

More Than One Kind of Content

The new app brings a whole lot more radio to your iPhone. In addition to pointing to hundreds of radio streams, PRX has co-ordinated a number of different sources to pull show schedules down to be stored locally on your phone. "Scheduling data has been a big effort," Shapiro says. "It never existed in one place and is still a moving target."

A company called Public Interactive (recently acquired by NPR from Public Radio International) has a metadata tool that originally captured music playlists but now publishes radio show schedules as well. NPR and many radio stations also display schedules on their own websites. PRX aggregates all that data, stores it on your phone, syncs it with the radio stream links and then checks for changes each time you launch the Public Radio Player app.

Having the particular show that's playing displayed along with a station name makes a very big difference in the user experience.

The 2.0 version of the app also includes support for "on demand" or podcast listening. Hundreds of podcasts are navigable by featured shows, category or alphabetically. Podcasts are integrated into some of the show schedules as well. When listening to a streaming station, you can view the rest of the day's schedule and see what other shows will be broadcast later. Then you can choose to listen to previous recorded editions of those shows. It's a pretty seamless experience.

Search is No Small Matter

The new search functionality integrates all of the above, letting you search for keywords or topics and finding both recorded and currently live shows that match your search. MacDonald says the company used an open source program called ThinkingSphynx on the back end, worked closely with the NPR API team and is still working on teaching local radio stations about the importance of standards-based content titling. Listening to streams and podcasts on iTunes or an iPod may not have been so difficult with incomplete file names, but show a radio station how broken its content looks in a dynamic iPhone directory and the message comes through loud and clear.

There have been other efforts to index all the public radio streams online; Public Radio Fan is the most notable and is more international, but is less sophisticated and is based on the desktop and browser. (After listening to some international broadcasts via Public Radio Fan it's hard not to be a little disappointed with even Public Radio Player's extensive but exclusively US menu.)

As a media technology, Public Radio Player offers a unique blend of content aggregation, focus on both real time and recorded content and extensive data integration on the back end. All on the iPhone. Its design and performance continue to improve. It's a very impressive offering in terms of content delivery; if it can find a way to use the new platform it's on to transcend the public radio paradigm of on-air pledge drives, that would really be remarkable, wouldn't it?

Jake Shapiro says that offering Public Radio Player on other platforms, including a web interface, is a logical next step. You can follow the project's progress on the Public Radio Player blog and download the application here.

There are a couple of cool features in the application, though. For example, users can purchase songs heard on SIRIUS XM while they're being played or just "tag" them for later purchase from the iTunes Store. It also offers a "Favorites" feature for storing your most-listened to stations as well as another feature called "Lookaround" which lets you scan what's playing on all the channels. The app works over both Wi-Fi and 3G.

Although there is no extra fee for streaming SIRIUS XM over your iPhone or iPod Touch (the app itself is free), you do have to be a SIRIUS XM Internet Subscriber, an extra $2.99 per month on top of your monthly subscription fee. Alternately, if you're not already a subscriber, you can sample the content for free then choose whether you want to subscribe to the company's Premium Online service ($13/month).

Without some of the company's better content, it doesn't look like SIRIUS XM has as good of a shot as they could have had against other streaming music competitors like Last.fm, Slacker, or Pandora, all of which are free. Still, there's something to be said for DJ-driven radio, as Jeff Scott of 148apps points out, but that's ultimately going to be a personal opinion. And even if you agree with Jeff, the extra expense isn't something a lot of people can justify in this economy.

With the DSRC system in place, cars can become nodes on Muni-Wi-Fi networks, Wi-Fi hotspots, and home Wi-Fi networks. The possibilities are nearly limitless for what that could mean. Dealerships can diagnose vehicles cable-free, cars can receive real-time downloads of maps and traffic conditions, they could communicate wirelessly with toll stations, and the vehicles could even automatically download music from home PCs. (Or maybe iTunes Wi-Fi store? We don't see why not.)

In addition the numerous applications that would make a connected car both useful and fun, there's a public safety element to the system as well. Vehicles could alert their drivers of congestion and accidents, could help drivers safely perform maneuvers like lane changes, could help prevent collisions, and much more. As you traveled, the data about what lies on the road ahead could be relayed from car to car so there is no lag between when the tractor trailer overturned and when you, the driver five miles back, is informed of this. "This technology essentially equips vehicles with the ability to see around corners and predict and avoid dangerous situations," said Professor Alex Grant of the ITR project.

Lest you think the connected vehicle is just a pipe dream that won't be realized until sometime in the distant future, listen to this: Cohda Wireless has already completed over than 700 DSRC trials, for 15 distinct DSRC use-case scenarios, in the U.S., Italy and Australia. These trials covered over 10,000 km during which 100GB of random data was transmitted. The results of the trials proved how Cohda Wireless' technology excelled over other in-vehicle Wi-Fi chipsets. The company is now saying the technology will be in wide release by 2012. That's not too distant at all.

For more information about internet-connected objects, see "5 Companies Building an Internet of Things."

Whether you agree with the show's political perspective or not, Democracy Now! is undeniably one of the best produced and distributed independent media projects in the world right now. If there are more high profile collections of media distributed under the innovative Creative Commons License, we don't know what they are. Creative Commons is a variation on traditional copyright that switches permission to republish content to opt-out with publisher applied conditions.

Traditional copyright, as currently defined in the United States and increasingly around the world, requires by default explicit permission before any reuse of content is legally allowed. There are a variety of variations of Creative Commons, but Democracy Now for example is being distributed under a license that allows any reuse without further permission as long as that reuse includes attribution of credit to the original source, the reuse is in a noncommercial context and the original content is used in whole with no derivative works are made. It's one of the most conservative variations there is - but it's still Creative Commons.

About Democracy Now!

Founded in 1996, Democracy Now! is a daily morning news show that brings together a skilled investigative staff and some of the most high-profile guests in the world. Its editorial perspective is clearly leftist as are its roster of guests. It's already proven itself skeptical of the Obama administration, though.

The show and its primary host Amy Goodman regularly win press awards for their investigative journalism around the world. Sympathetic viewers will find the show's content deeply informative, inspiring and emotionally moving. This author hasn't discussed the show with unsympathetic viewers before but would welcome their thoughts as well.

This is a very big win for this new copyright paradigm and we hope to see a good write up of Democracy Now's experience soon in the Creative Commons Case Studies Collection.